Gallery
"The Unknown Roads Series"
In some lesser-known places, precious and rare traditional handicrafts remain. Through there works. you can feel the exquisite skills of the artisans and the brilliant colors nurtured against the backdrop of the rich natural environment.
We bring these untold stories and works into your life with a modern concept of living.
Thailand Handwoven Decoration
Our original products.
These handwoven placemats, coasters, and table runners are a fusion of traditional Northern Thailand construction methods and the sensibilities of contemporary designers. As table decorations, they create a unique space.
Heartwarming gifts by weavers.
Handwoven Bags
A handwoven bag that will be the centerpiece of your summer wardrobe.
A special masterpiece from Thailand.
A commitment to detail lies within its effortless texture.
Luxury for adults.
Carefully woven strand by strand from carefully selected materials, its intricate texture
lets you experience a quality that truly elevates your everyday life every time you hold it.
Handwoven Textiles of Dai People
These products are hand-woven exclusively by artisans who are part of the National Intangible Cultural Heritage Traditions and the Intangible Cultural Heritage Production Workshop. It takes 2~3 weeks to make one piece, using the loom that has been handed down from the old days.
It's woven using traditional techniques that have been passed down from the Dai ethnic group since the Tang Dynasty. It's a beautiful, elegant piece that symbolises "Candour, Auspiciousness, and Tranquility".
In Yunnan, China, which is a beautiful, natural place, people, plants, and animals (like elephants and peacocks) live side by side in harmony. They're often used as motifs in interior designs and are characterized by their gorgeous luster.
Through a fusion of traditional techniques and modern design, these pieces have an old-fashioned flavor that will be with you for a long time.
The workshop is in the Mekong River basin, which gives it a Southeast Asian vibe.
Tie-dyeing of Bai People
These products are dyed with natural dyes by artisans from the Intangible Cultural Heritage Traditions and Intangible Cultural Heritage Production Workshop.
The traditional tie-dyeing technique has been used by the indigenous Bai people for about 1,500 years, and the use of plant-derived dyes is typical of the nature-inspired designs. These designs have a really pure and elegant feel to them.
In Yunnan, China, people, plants, and animals (including elephants and peacocks) live side by side in harmony. They're often used as motifs in tie-dye designs. These motifs are often used in tie-dye designs, and together with the different patterns that come out during the tie-dyeing process, they create a unique texture.
The fusion of traditional techniques and modern design makes for a work with an old-fashioned flavor that can be used for a long time.
Pottery of Dai People
These products are handmade by craftsmen at the Intangible Cultural Heritage Production Studio.
It's thought that pottery making techniques were around in Yunnan Province 4,000 years ago, and the Dai ethnic group has some pretty comprehensive techniques.
The "kick wheel" method is a traditional one, where you turn it by kicking with your feet. By making slow, steady movements, you can produce uneven, warm vessels that show the hand of man.
What's more, the firing process in a gas kiln at 1,300 degrees Celsius, combined with modern technology, preserves the traditional texture and modern colours. The distinctive shape and patterns give this piece a classic look, while still feeling fresh and vibrant. It's perfect for displaying flowers or as a decorative piece.
The workshop is in the Mekong River basin, which gives it a Southeast Asian vibe.
Pottery of Ningzhou
These products are handmade by the person who has passed on the intangible cultural heritage.
"Ningzhou" was one of the most important kilns for 'celadon glaze' outside of Jingdezhen during the Ming Dynasty. The Ningzhou ceramics technique has been around since the Hongwu period of the Ming Dynasty. The natural raw-migrate glaze is really smooth and richly coloured.
Pottery fired in a wood-fired kiln at 1,250 degrees Celsius using traditional techniques, combined with the soot and steam generated in the kiln, forms really beautiful patterns on the surface of the pottery, giving it a texture that can only be achieved in a wood-fired kiln. On the other hand, ceramics fired in gas kilns come out with really vibrant colours and a finish that's pretty unique, kind of like peacocks.
We hope you enjoy the unique patterns and colours that emerge from the multiple layers of elements, including the local materials and the changing kiln environment, backed up by the meticulous techniques used.
